I am an Assistant Professor of Digital Media Studies at the University of Denver, and the graduate director of the M.A. in Digital Media Studies. I teach courses in digital audio production, critical approaches to digital media, and digital research methodologies. I guide numerous graduate research projects, and I direct the DMS program's digital art/theory journal, Perspective House. I received a Ph.D. in English Literature from the University of Colorado, Boulder, in 1996. Establishing cultural trends
toward technoromanticism near the ends of the 19th and 20th century, my dissertation explores textual production as a method of navigating through climates of intense, cultural spectacle.

Since that time, I have sought to articulate a digital poetics taking shape at the intersection of multimedia production, networking technologies, media theory, literary criticism, and the history of drug culture. Media and audio works may be found at Electronic Book Review, Stasis_Space, DJRabbi.com, on several microsound.org compilations, and The Communications of Tomorrow label. My imaginary soundtrack to Philip K. Dick's Radio Free Albemuth, is out on the Sine Fiction label. I have contributed streams to global
webcasting projects including Open Air Radiotopia (Ars Electronica 2002) and Platoniq's Open Radio Festival (Barcelona 2003).

Digital video work includes contributions to Randall Packer's US Department of Art and Technology exhibits. I have collaborated with Mark Amerika and Rick Silva of the DJ Rabbi collective on the "Society of the Spectacle (A Digital Remix)." The "SOS" video debuted as part of the 2004 Biennale de
Paris onboard the Batofar and has since screened in New York, Bilbao, Glasgow, Weimar, Eindhoven, and elsewhere.

Recent publications include articles in Leonardo Music Journal & Electronic Almanac and Contemporary Music Review. I edit an ongoing thread at Electronic Book Review devoted to music/sound/noise and produce shows for Alt-X Audio. I curated the monthly visualsoundings series of electronic
music at Denver's Museum of Contemporary Art (2002-3). I also founded Denver 's first digital media festival, A:D:A:P:T, in Spring 2003, and co-founded the first University of Denver Media Festival in February 2004.